industry

11. Kat Cizek: Making Everything From Scratch by Elaine Sheldon

Kat Cizek is an innovative documentary storyteller who works across many media platforms. She’s currently the director of the National Film Board of Canada’s multi-year project entitled HIGHRISE, which examines life inside residential skyscrapers in suburbs around the world. Since it launched in 2009, HIGHRISE has generated interactive documentaries, mobile productions, live presentations, installations and films that have garnered Emmys, a Peabody, Webby Awards and recognition from the World Press Photo and IDFA Doc Lab, among others. Kat and the NFB just released the latest and final HIGHRISE project, “Universe Within,” that explores people’s digital lives online. We spoke to Kat about her life growing up in Waterloo in the late 60’s  after her parents escaped the Russian invasion of what was then Czechoslovakia. Kat talks about being at the frontlines of the Oka Crisis in Canada, a defining moment in her career and first-nations history in Canada. And her nearly 11 year relationship with the National Film Board of Canada through the Filmmaker in Residence and Highrise projects. Kat encourages us to explore new and meaningful ways to approach technology, and challenges us to evaluate our methods and ethics as storytellers.

I have been preoccupied with the role of the subject for most of my working life. It’s about understanding that a subject isn’t a subject. A subject is an agent in their own world and how can we work together to create interesting media that will contribute positively in this community. Too often we get so enamored with the technology that we forget about that.
— Kat Cizek

Name: Katerina Cizek

Current City: Toronto, Canada

DOB: 10/19/1969

What are you listening to now? Tanya Tagaq Animism

What film changed you? Opened your eyes? Vertov's silent film 'Man With a Movie Camera" (1929) The first great example of the power of the edit. It's documentary plus. About the city, about the camera, about the street. about revolution. I love Cinematic Orchestra's live re-scoring of it too.

Who is your career role model? Alanis Obomsawin. I first saw her behind the barricades in 1990, when the Canadian Army had surrounded the First Nations community of Kanesatake. I was there as a student photojournalist, she was there with her camera crew, shooting her masterpiece documentary series about the crisis. Seeing her there inspired me to become a documentarian. Years later, I made a short digital documentary piece and a short film about her. 

What is a tool you can't live without? Long Johns--I'm Canadian.

How do you take your coffee/tea? Tea. Black.

What's your spirit animal? Owl

CLIPS FEATURED IN SHOW:

Russia Invades Czechoslovakia

Leonard Cohen "Suzanne"

Seeing Is Believing

Challenge for Change NFB (1 & 2)

Filmmaker In Residence NFB

HIGHRISE: Out My Window

HIGHRISE: One Millionth Tower

HIGHRISE: A Short History of the Highrise 

HIGHRISE: Universe Within

Večerníček (Czech Animation)

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

MUSIC FEATURED IN SHOW: Our featured musicmaker this week is Audrey Ryan. Download her music on Bandcamp. Read our interview with her here.

Let's Go To The Vamp (album)

  • Oh The Ego
  • Snibber
  • Holding Back

Sirens (album)

  • Casiotone
  • Lift Me Up

I Know, I Know (album)

  • Are You Sleeping
  • Alright
  • I know I know
  • So Afraid
  • Maybe

Dishes & Pills (album)

  • People

6. Lina Srivastava: Hashtags Don’t Make Change by Elaine Sheldon

Lina Srivastava is an impact strategist who combines media, technology, art and storytelling for social transformation. She has assisted filmmakers (“Born Into Brothels,” “Inocente,” “Who is Dayani Cristal”) in positioning their media to have meaningful impact. She also provides design consultation to social impact organizations, including UNESCO, the World Bank and UNICEF.  She practiced law for four years, before transitioning to the social impact field. She shares how she has helped filmmakers create impact campaigns to make real change, including providing clean water for a community in Honduras. Whether you are plugged into the impact metrics conversation, or feel alienated by it, this episode is for you. Lina breaks down how to catalyze and amplify social impact through creative media and warns of pitfalls she sees in the industry, shattering unrealistic expectations and pressure put on filmmakers to make change. 


Newsworthiness, in terms of documentary, is a really good standard. But a higher standard is ethics and accuracy. And when you’re thinking about social impact documentary, I go that step further in saying, if I’m documenting a particular social issue, I’m going to have to figure out what I can do. Some people think that documentarians are aligned with journalists, and you shouldn’t interfere. I don’t come out of that tradition. I’m an activist, I’m like, ‘We have to do something. We can’t just hijack somebody’s story.’
— Lina Srivastava

RELATED LINKS

Lina on Twitter

Regarding Humanity on Facebook

Lina’s Blog

Lina's Current Projects: Priya’s Shakti, Who Is Dayani Cristal?, Traveling While Black.

Lina curated list on MIT’s Docubase

Lina on Huffington Post

Name: Lina Srivastava

Current City: New York

What are you listening to now? Radio Gladys Palmera, The Avener, and Cassandra Wilson are in rotation right now.

What film/book/show/piece of media changed you? This is a hard question to answer because there have been so many. When I was in grade school, we used to be assigned Newbery Award winning books. I especially remember A Wrinkle in Time, From the Mixed-Up Files of Mrs. Basil E. Frankweiler, Roll of Thunder Hear My Cry, and The Westing Game. They were mind-expanding, sparking a young and active imagination. As I grew up, Things Fall Apart, 100 Years of Solitude, and Pride and Prejudice did. In the past few years or so, Junot Diaz, Zadie Smith, Nicole Krauss, Hilary Mantel, Nayyirah Waheed, Colum McCann, and Aleksander Hemon have all opened my eyes. So did the film The Act of Killing. And of course Who Is Dayani Cristal?

Who is your career role model? Paola Antonelli, Senior Curator of the Department of Architecture & Design, as well as the Director of R&D at MoMA. A pioneer and innovator who stands above the crowd in a (male-dominated) field of pioneers and innovators.

What is a tool you can't live without? My cell phone. Pure and simple.

How do you drink/take your coffee/tea? Hot, milk and sugar

What's your spirit animal? Butterfly


CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

MUSIC FEATURED IN SHOW: 

Learn about our featured MusicMaker, Ana Karina DaCosta, here.

The Derevolutions: 

  • I Feel A Goo World

  • Automate Your Soul

  • Take it to the Hoop

  • Living in the Not World

  • Crazy Janey

28 Degrees Taurus:

  • From Part to Part, All the Stars in Your Eyes, Hearts Were Made

  • Off album Underwater Love Sequences EP: Circle & Cross

  • Off album How Do You Like Your Love: Moments, Phases & Timing

  • Off album Mirrors & Gates: Heart Attack

CLIPS FEATURED IN SHOW: