MUSIC FEATURED IN EPISODE 4
Curated by Sarah Ginsburg
I came across Peachpit at a show upstairs at Charlie’s Kitchen in Cambridge, MA. I was there to see a friend’s band play, but before they came on, my ears perked to the ethereal sound of Hannah’s voice when she began to sing on "Sunday to Monday." It’s an unforgettable track unlike any of its neighbors, yet it fits so well into Peachpit’s album Come Down Pilgrim.
What are your roles in Peachpit? I used to be the bass player when we were a four piece a couple years ago and my brother was the drummer. Since he moved to New York we took on Ben (our new drummer) and Jordan (our new bassist). Now I play keys, some flugelhorn, tambourine, and vocals, of course.
What do you love about making music and/or performing for an audience? There's the kind of selfish satisfaction that I get when we really nail a song. When the parts complement really well, when we can play it smoothly, and I just enjoy listening. But then there's the separate thrill of playing for an audience. I still get butterflies before shows, even small venues. I always hope they're having as much fun as I am, and when they are, when they're dancing along. There are few better feelings than that.
How would you define the music you make? It's always hard answering this one. Peachpit's music might be described at a basal level as a mix of 60's pop and rock & roll. Some of our big inspiration is from groups like Wilco, Radiohead, The Monkeys etc. With spiritually inspired lyrics and a sprinkling of synth. tones and patterns, we're putting our own peachy twist on the classic rock sound. We're "christian" rock for the souls of hell.
What her bandmates say: Beyond playing a variety of instruments in the band, Hannah is also a part of the primary writing process. Out of the group she probably has the most formal music training, which makes her a great reference for building vocal harmonies and composing for different instruments. She's been noted for her precise sense of rhythm as well.