filmmaking

30. Lily Baldwin: It’s Not My Own Trip by Elaine Sheldon

Lily Baldwin is a New York-based filmmaker and dancer that uses movement of the body and unconventional narrative structures to tell human stories. Her short films (Sea Meadow, A Juicebox Afternoon, Sleepover LA, and Swallowed) have played at festivals like SXSW, Berlinale EFM, and the Lincoln Center and been featured on NOWNESS, Short of the Week, Fandor, Filmmaker Magazine, and Vimeo Staff Picks. Lily fell into filmmaking when she was performing as a professional dancer in David Byrne’s two year world tour Everything That Happens Will Happen Today. Lily often writes, choreographs, directs, edits and plays the leading role in her films, seeking to “rip things up” with both graceful and rigid moments and scenes made up of bold, jarring edits. In other scenes, she’s simply another human on the street, walking with the rest of us. Lily is a Sundance Fellow with her upcoming VR project in collaboration with Saschka Unseld, Through You. She’s about to start shooting her first feature, Glass, a stalking thriller based on a real experience about a dancer and an insidious fan in our privacy-gone world. Lily talks about the rigor and commitment of dancers, coming into film as a “second career”, the responsibility she feels as an artist to pull from her own experiences and educate, and “working your buns off” to be the ultimate version of yourself.

I think we have a responsibility to mine what we know. It’s great to make up stories and live in imagination but I feel like I can do a better job with something I’ve been through. Life is unlived, for me, if I don’t peel off the layers.
 

MUSIC in this episode is by Michelle Blades. Listen to her music on Bandcamp or on Midnight Special Records' Soundcloud, and take a peek at her Tumblr.

Songs you heard: Subtropical Suburban, Crush! I Went to Your Party from the album Ataraxia // Le Bois, Lava Boy, Swallowing Truths & River Rocks, Yellow Petaled Coast from the album Songs From Another's Bed // My Grimey Dreams, I'll Let in the Outside Noise from the album & // 10th and Wilson Score off the EP Nah, See Ya // Making Friends In The Dark, It All Ends Here off the album Cold Shoulders

 

Name: Lily Baldwin

Current City: New York

What are you listening to now? I just went throwback on myself and have been listening pretty nonstop to Aphex Twin's Selected Ambient Works II

What film/book/show/piece of media changed you? There are too many to fit into this white box, but if I look at my bookshelf right this second, I'm going to say: Eadweard Muybridge's pictures and Murder She Wrote -- Jessica Fletcher is one of my favorite protagonists.

Who is your career role model? Cindy Sherman -- she's self taught, fearless about changing herself and isn't afraid to be ugly in her work.

What is a tool you can't live without? A Panasonic boombox from the 80's that I listen to NPR on.

How do you drink your coffee/tea? Coffee-- a super dark, greasy brew with a dash of cream

What's your spirit animal? Wolf.

Updates?  I'm thrilled to be premiering my short film Swallowed as part of the upcoming omnibus feature project, Collective:Unconscious, at SXSW as the first ever omnibus feature in competition! Next on the horizon this year is gearing up to shoot my first feature GLASS, a thriller inspired by a true stalking story. I'm also going to be directing a VR project, Through You, with Saschka Unseld in collaboration with Sundance. And on less immediate burners, I'm cooking up two episodic series!

 

 

CLIPS USED IN SHOW:

CREDITS:

  • Produced by Sarah Ginsburg & Elaine Sheldon
  • Sound design by Billy Wirasnik
  • Illustration by Christine Cover
  • Production Assistance by Alijah Case

26. Charlotte Cook: Look on Behalf of the Audience by Elaine Sheldon

Charlotte Cook is a documentary film programmer, curator, producer and co-founder of Field of Vision. Charlotte was the Director of Programming at Hot Docs film festival for four years before she left in May of 2015 to start Field of Vision, a visual journalism film unit that aims to commission 40 to 50 original episodic and individual short non-fiction films each year. Charlotte co-founded Field of Vision with Academy Award-winning director of “Citizenfour,” Laura Poitras, and filmmaker and founder of Cinema Eye Honors Aj Schnack. In this episode, we talk about Charlotte’s journey to programming Hot Docs, including her time at The Times, BBC Storyville, and The Frontline Club. Charlotte also walks us through what Field of Vision is looking for and how you can be part of it.


I’ve always hated the term gatekeeper or tastemaker or anything like that. I always say the filmmakers drive everything and I think there’s this weird misconception about that. We are always at the mercy of the filmmakers. And that was something I really always tried to get through at HotDocs, ‘It’s not your honor to screen with us, it’s the other way around.’
— Charlotte Cook

RELATED LINKS

CLIPS USED IN SHOW

Name: Charlotte Cook

Current City: New York

Current Gig: Co-Creator and Executive Producer of Field of Vision

What are you listening to now? I find it impossible to pick favorites but the two songs that I listen to the most, because they soothe my soul, are "The Weight of My Words" a Four Tet Remix by Kings of Convenience and "Girlfriend" by Phoenix. And my favourite album of last year was Jamie xx, "In Colour."

What film/book/show/piece of media changed you? One of my roommates at university was working on an art project and became obsessed with the documentaries "Party Monster: The Shockumentary" by Randy Barbato and Fenton Bailey, and The Legend of Leigh Bowery by Charles Atlas. He would watch them everyday and I became sucked in by them while I was helping to photograph his work. They were not only my introduction to seeing how non-fiction could really speak to someone and mean so much to them, but also to documentaries that were outside of the more informative, issue films, and spoke to different subcultures and voices. It began my path of ferociously watching non-fiction.

"Fourteen Days in May" by Paul Hamann opened my eyes to the power of documentary and "Portrait of Jason" remains my favorite documentary of all time. The exploration of performance and representation of reality and storytelling is still very powerful to me.

I've always been a huge Steven Soderbergh fan. His use of color in "Out of Sight" was something that really made me fall in love with exploring how directors use visuals in storytelling. I will always pay attention to the work Kyle Cooper makes, I find it fascinating and inspiring.

Who is your career role model? I've always really admired how Ben Hammersley has navigated his career. From the diversity of ways he works, in different mediums, and being someone who is very multi-faceted. But really my role models are those who are committed to supporting, and advancing the medium or field they work in. Whether it's helping to give other people opportunities, creating discussion or building new avenues or outlets for those in their field.

What is a tool you can't live without? Notebook and Pen. I write by hand, every day, for various reasons. I still find nothing more useful, productive or cathartic.

How do you take your coffee/tea? Milky, two sugars in both, which is sacrilegious for most of my fellow British people.


CREDITS:

  • Produced by Sarah Ginsburg & Elaine Sheldon
  • Sound design by Billy Wirasnik
  • Illustration by Christine Cover

MUSIC: in this episode is by Alexandria Hall of tooth ache. Listen and purchase her music on bandcamp

 

Featured songs: Skin, Lazarus, Sediment, Guilt, Wild Horses, Not Even The Moon, Body Heat

Featured songs: Skin, Lazarus, Sediment, Guilt, Wild Horses, Not Even The Moon, Body Heat

16. Kirsten Lepore: Start-Stop-Start-Stop by Elaine Sheldon

Animator Kirsten Lepore is the writer and director of an upcoming episode of Cartoon Network’s popular show “Adventure Time.” A majority of her career has been spent in her garage, which is actually her workshop, carefully moving tiny, handmade characters in the worlds she’s built for them. The films she made at Maryland Institute College of Art and CalArts, “Sweet Dreams” and “Bottle,” won countless awards and screened at SXSW, Slamdance, the Vimeo Awards, the Annie Awards, among others. She’s made work for big names like Google, MTV, Whole Foods, Nestlé, and Nickelodeon, upholding her own raw but charming style no matter the project. Kirsten talks about her knack for cooking, the challenges of being a one-woman band, poking a bit at her peculiar side, and stepping into a big director role with “Adventure Time.” She’s a self-proclaimed weirdo and that’s the way she’ll stay.

Name: Kirsten Lepore

Current City: Los Angeles

DOB: March 1985

Current Gig: Working on the Adventure Time episode! Which I think will air sometime this year. Also expect some more Google Doodles out on their homepage throughout the year!

What are you listening to? III, by Badbadnotgood

What piece of media changed you? Oh geez, there are so many things....I know it's cliche, but one of the pivotal moments was watching the original Star Wars Trilogy for the first time in 6th grade - pretty late for my age, actually. From the practical effects/creatures, to the music, to the far off worlds they created, it definitely inspired me to make my own crazy worlds.

Who is your career role model? I feel really fortunate that many of my career role models are also friends or contemporaries. People like Julia Pott, Mikey Please, DANIELS, Allison Schulnik, David OReilly, Adi Goodrich, Jenny Slate and Dean Fleicher-Camp are all making a living creating unique and diverse art in their own amazing, unique styles. I aspire to do the same.

What is a tool you can't live without? A sharp knife, big wooden cutting board, and a stove. If I couldn't cook, I think I'd get really depressed. Also, can I throw some good speakers in there with a sub? I need to dance too.

How do you take your coffee/tea? I'm an uncaffeinated person, actually - but when I do, I take an espresso with one sugar

What's your spirit animal? Hmmm, probably an elephant. An elephant never forgets. Although, people tell me I look and act like a koala and apparently they're very horny.

 

Music Featured in Episode 16 is by Dubb Nubb

Wild Dreamin’ (album)

  • These Whole Spaces
  • Where Does the Time Go?
  • I Dreamt

The Best Game Ever (album)

  • Ahm Nam Nam
  • Soldier

Sunrise Sleepy Eyed (album)

  • Back Roads
  • Kindergarten Wedding

New Bones (album)

  • Geometric Shapes
  • Buttons

Our featured MusicMakers are Hannah, Delia, and Amanda Rainey, or Dubb Nubb. Find out more in our She Does Music episode 16.5!

 

kirsten.jpg
It’s not the thing that looks like everything else that someone hired you to do that’s going to get you work. It’s the really unique thing that you made for yourself that showcases something new that’s going to get you hired.
— Kirsten Lepore
 

 

Related Links:

Kirsten's Website

Kirsten on Twitter

Kirsten on Instagram

Making of "Bottle" (in 1 minute)

 

Clips Featured in This Episode:

"Bottle" animation

"Sweet Dreams" animation

Adventure Time Theme Song

Adventure Time Exclusive Clip from Kirsten’s Episode “Bad Jubies”

 

Credits:

Produced by Elaine Sheldon and Sarah Ginsburg

Sound Design by Billy Wirasnik

Illustration by Christine Cover

Production Assistance by Alijah Case

15. Emily Best: You Will Find Your People by Elaine Sheldon

Emily Best is the founder and CEO of Seed&Spark, a crowdfunding and distribution platform for independent filmmakers. She’s also the publisher of Bright Ideas Magazine. Emily has raised hundreds of thousands of dollars in crowdfunding for film, and contributed to over 300 campaigns to date through Seed&Spark. She brings experience from producing live theatre and running restaurants to the film industry, and lets us into the world of investors and film distribution. Emily was named one of the 2013 Indiewire Influencers, 2014 New York Women of Influence and 2015 Upstart 100. She’s a daring individual who encourages us all to create meaningful communities around our work. Furthermore, things get personal when we discuss matters of the heart and how being independent and driven can affect personal relationships.

Name: Emily Best

Current City: Los Angeles, CA

DOB: 8/1980

What are you listening to now? First Aid Kit, both albums

What film/book/show/piece of media changed you?  An Iranian film that came out in 1997 called "Gabbeh." It was the first thing I ever went to see in my local independent theater (The Tower Theater in Sacramento, CA). I was dragged there by a MUCH cooler friend. I couldn't move when the credits started rolling. I didn't know film could be like that!

Who is your career role model?  I have so, so many. Sue Nagel. Jill Soloway. Oprah. I mean, how you know you made an impression, you only go by one name...and Diane von Furstenburg. 

What is a tool you can't live without? The little doggy poop bag dispenser that attaches to my dog's leash. So simple. So convenient.

How do you drink/take your coffee/tea? Little whole milk little sugar

What's your spirit animal?

  1. Exhibit A
  2. Exhibit B
  3. Exhibit C
The thing about being an artist is there’s always room. But now more than ever if you want to make a sustainable living it’s your responsibility to find the people who also want you to have a sustainable living doing what you do. There’s something about being really committed to a set of ideas that are important to you, and continuously articulating that value system to yourself and to your community in a meaningful way. And you will find your people.
— Emily Best
 

Music Featured in Episode 15 is by ZIEMBA 

A Pure Mirror and a Damn Prison (album)

  • Under Clouds
  • El Paso
  • Ugly Ambitious Women

Nearness (album)

  • Phantom See
  • Now Seed
  • White Black Red Yellow

Clips Featured In This Episode

Denny's Commercial

Credits

Produced by Elaine Sheldon & Sarah Ginsburg

Illustration by Christine Cover

Sound Design by Billy Wirasnik

8. Hanna Polak: Either You Fall, Or You Ride by Elaine Sheldon

Hanna Polak, a Polish director and producer, has the stamina and guts that most filmmakers would envy. And now audiences at film festivals around the world are experiencing her dedication through “Something Better To Come,” a documentary that Hanna shot over the span of 14 years. The documentary follows the lives of Russians living in a massive garbage dump, located 12 miles from the center of Moscow. Hanna filmed many people living in the garbage dump, but one person in particular stood out: a young girl named Yula. We watch Yula grow up on-screen, experimenting with hair dye and makeup, foraging for food and shelter, as well as witnessing some firsts: trying her chances with alcohol, cigarettes and young love. Hanna previously directed the short film, “The Children of Leningradsky,” which explores the lives of homeless children living in Moscow train stations. The film received an Oscar nomination, an International Documentary Association Award for Best Documentary, two Emmy nominations, and the Gracie Allen Award, given by Women in Radio and Television. But there are many moments when Hanna puts down her camera and serves as an activist. In 1997, as part of her work in Russia, she founded and later collaborated with Active Child Aid to help support the children of Russia and in 2006 she was awarded the prestigious Golden Heart Award. Hanna shares the challenges of shooting and editing a film for 14 years, as well as a special memory with documentary pioneer, Ricky Leacock. Doc fans: this episode is not to be missed.


It’s like having a huge puzzle. Because after 14 years you have hundreds of hours of material, some big some small, and you have no idea where they fit. You don’t have the final picture. You don’t know what you’re building. And out of all of these materials you can make many pictures, but you try to make THE one.
— Hanna Polak on editing "Something Better to Come"

RELATED LINKS

Hanna's Website

"Something Better to Come" Film Website

"Something Better to Come" on Facebook 

NY Times Article on "The Children of Leningradsky"

Unicef Award for "The Children of Leningradsky"

 

Name: Hanna Polak

City: Warsaw, Poland

DOB: 7/21/1967

What are you listening to now? "So Close" by Ólafur Arnalds.

What piece of media changed you? Crime and Punishment

Who is your career role model? Vadim Yusov, Director of Photography of Andrei Tarkovsky

What is a tool you can't live without? Avid editing system

How do you drink/take your coffee/tea? Ginger tea with lemon

What's your spirit animal? Haven't discovered yet


MUSICMAKER FEATURED IN SHOW:

Taryn Blake Miller (Your Friend) from Jekyll / Hyde EP.

Featured Songs:

  • Bangs
  • Pallet
  • Peach
  • Tame One
  • Jekyll / Hyde
  • Expectation / Reality

This interview was conducted at True/False Film Festival in Columbia, Missouri. Hanna's feature documentary "Something Better to Come" had it's US Premiere at True/False AND our featured MusicMaker, Taryn Blake Miller of Your Friend was a musical busker. Find more information on films, music, dates, and passes at the True/False website

CLIPS FEATURED IN SHOW:

Soundbites from “Something Better to Come”

Soundbites from  “The Children of Leningradsky

Isaac Stern Plays Schon Rosmarin at the age of 79

 

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik